![]() It should work the same way in Jam, Peak, Sonic, etc. I've used regular old Toast for that, and it works great. Now export those split and renamed soundbites at 16-bit, 44.1 kHz, and then load them into just about CD burning application with no space between the tracks (that's really important, of course!). Then re-name each of the newly split soundbites to the titles of each song. Now go in an use command-Y to split the soundbites at the song boundaries or where you want your CD indexes to appear. v5.7 is a free upgrade for all v5 registered users. Stefano Daino has announced that a new version 5.7 of DSP-Quattro, an audio editor, plug-in host, audio CD mastering application for MacOS, is now available. ![]() Rebuilt from the bottom up for macOS Mojave (), DSP-Quattro 5 stands on the foundation of its award-winning twenty-three year history, primed to carry on its tradition of excellence well into the future. Stefano Daino updates DSP-Quattro to v5.7. It can handle everything from standard audio editing and recording to more advanced audio mastering. This most recent version (DSP-Quattro Version 4) is the best yet. ![]() Simple yet powerful, this program is great for novices and professional musicians alike. A new application forged on its distinguished past. DSP-Quattro is the do-it-all audio editing program for Mac. You can even punch in along the way if you want to make changes to individual songs, and then merge the punched soundbites into one long soundbite again. Audio File Editing, AudioCD Mastering, Plug-in Hosting. Regardless of whether you use the bounce to disk or analog re-recording method, you will end up with one long soundbite of your complete album. You can even go into an Aux track to employ additional post-analog plug-ins (EQ, another limiter, etc.) and then record the output of the Aux track to the new DP audio track. Send your master fader's stereo output into some good analog gear (I use a Manley Stereo Pultec, Variable Mu and Avalon 747, in that order) for additional mastering beauty and then re-record the output of that analog chain back to a new single stereo track in the same DP project. Make sure none of your individual song tracks go into clipping, too, of course. Put a limiter on the master fader track to avoid clipping during the transitions where two songs are playing at once, something like UA Precision Limiter or Waves L2 or even the DP Masterworks Limiter. You'll have individual volume, fade in, fade out, plug-in fx, etc. Make a stereo track for each song, then import the stereo mix of each song into the project and place them in the tracks window (or sequence editor window) at the actual time you want them to appear on the CD. It allows for professional results, it is simple to use, and with plug-in hosting capabilities, offers seemingly endless possibilities.Here's a DP mastering and assembly technique I've used a few times, especially with albums where the songs crossfade or there is no silence between tracks (live recordings, etc.): However, because of its simple and intuitive interface, DSP-Quattro is also an ideal product for novices in the field seeking to discover the world of digital audio. DSP-Quattro is designed for the most discriminating professional users. Moreover, DSP-Quattro expands it's capabilities exponentially as a host for third party Instrument and Effect AudioUnit and VST plug-ins. ![]() ![]() comes with several professional built-in algorithms, like its state-of-art Linear Phase Sample Rate Converter, its outstanding Declicker for Audio Restoration, its High Quality digital effects, among which reverbs, modulated digital delays, analog filter simulators and parametric or graphic EQs. DSP-Quattro is a highly innovative product that utilizes the latest technological advances of computer-based audio editing. DSP-Quattro is an extremely powerful Audio Editor/AudioCD Mastering Application with extended real-time and off-line support of AU/VST plug-ins for MacOS X. ![]()
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